More Praise.
I love Sam Valenti’s Herb Sundays newsletter, a tripartite offering. With each edition, there is:-
a playlist from some creative eminence;
-
that eminence’s notes on their playlist; and
-
Sam’s sparkling, perceptive celebration of that eminence.
Season
05
01.23
—
08.23
S.05 E.66
Michael Chabon
“This playlist grows out of the music I’ve been listening to while working on my current project, a novel set in the American Southwest. I tend to listen almost exclusively to instrumental music while I’m writing, because sung lyrics interfere with my own flow of words. While working I’ll mostly just let entire albums unspool, but I do also craft “thematic” playlists for particular projects, and one for this latest book, which might be called Highways of Cimmeria, was overdue.” - MC
Ex. 1
S.05 E.67
Michael Mayer
S.05 E.68Martine SymsSyms spins the ever-present now but seems to be having fun in the process. Why mope when there’s so much to learn, so much to express? Today is already past, the past is present. You think you've outrun yourself and there you are, still a result of your needs, your hopes, your epoch. Or, maybe locked in a heroic embrace. - SV4
S.05 E.69aWill Calcutt
S.05 E.69b
Will Calcutt
S.05 E.70Amy Dang
S.05 E.71Justin Montag
Franchise is a reminder that it’s a great privilege to get to throw yourself into something completely. It’s not a forever stretch, and as they say, it’s a marathon, not a sprint. - SV4
S.05
The technology obsessed artist shares fragments of albums he enjoys + a deeper dive into Cory's work.
S.05
You peer at the mixtape in their tiny scrawl and don’t recognize the artist names at first, but by the time you’re annihilated by (her former labelmate) Jenny Hval at track 5, you’re regretting ever making a mix for them, as yours is full of hackneyed stuff from the radio, and theirs is from some imaginary movie you’ve never seen. You’ve been cast into the deep end of a new blue world, forever knowing there’s another layer to this plane. - SV4
S.05 E.74Thomas Fehlmann
The common goal to dunk on all things is rooted in protectionism and a fear of being duped. High School Feelings give us an open-hearted ability to sniff out what’s good, which we can dissect later. HSFs also remind us to go deep and to enjoy being a fan of things. - SV4
S.05 E.76Harruka Hirata
There is no exact English word that translates this Japanese word “Sunao” -but it means honest, direct, innocent, and obedient.
So this mix is very sunao, following my heart, that I would play on Sundays just to uplift, impress and inspire myself. No one else. The order is sunao too; you can see my strange tendencies going back and forth between the major and weird. My dog hates experimental/noise, and I’m not a big fan of headphones, so I try not to listen to them at home. But with this mix, I only cared about myself. Haruka’s classics. Haruka’s essentials. No recent releases! - HH (Big Love Records)
S.05 E.77Jonah Weiner
If the Blackbird newsletter were a person, it would be the tour guide your friend matched you with when traveling to a new, distant city. They are a little overeager, and you’re hoping the exotic bazaar he’s driving you to is indeed there, but then you finally get there in the dusty jeep and you leave with an incredible item, some great local food, plus a story to tell. - SV4
S.05 E.78Avalon Emerson
Alt
S.05 E.79Michael Cina
Artist and designer Michael Cina takes us on a "101 journey into a quintessential era of jazz spanning from the ‘50s to the late ‘60s."
S.05 E.80Philip Sherburne
S.05 E.81Kool Keith
Rap's great psychic wanderer, in disco mode.
“People think I listen to rap or write weird rap all day everyday. I zone out to disco jams all the time and especially when I’m on a long plane ride” - Kool KeithSo while the red carpet rolls out for Hip-Hop 50 this year, you’re gonna see a lot of artists getting their flowers that are long overdue. Who you may not see onstage is Keith who was too low key for a Hollywood film career, too weird for the rap mainstream, and carries a CV too vast and inconsistent for your “best MCs of all time” list. But he’ll be there, maybe in the balcony like a crazy Muppet or under the stage Phantom style, talking shit, or maybe already en route to another session. Just outrapping your favorite rapper, like it should be. -SV4
Temporary wonder and the hyperreal music of French artist Barbara Braccini
Malibu’s Herb 82 playlist helps connect the various capitols of her musical map and delivers on the Malibu promise of a tangible patchwork of moods. She’s got a retro-fitted Power Glove on and is moving songs around Minority Report (2002) style from her modernist beachfront compound. We find brooders from Lorn and Oneohtrix and an almost unspeakably good remix of Spooky (the 90s electronic project of Duncan Forbes and Sasha co-producer Charlie May) by Detroit’s Echospace. Then we get the space rock of Loveliescrushing, a spoken-word interlude from Lana into a sky-ripper drone metal cut, eventually settling into a Herbaceous finale of Mazzy Star/Sheryl Crow/Vanessa Carlton, like a Street Fighter II combination finishing move. This strand of 2002 Sheryl Crow sounds like what they pump through the cabin on an imaginary Virgin flight as you board, mood lighting set and the visible A/C mist blasting at your ankles. When the final piano vamp of Carlton’s almost billion streamer rings out, you may get another chance at fresh eyes. - SV4S.05 E.83The Dare
The NYC Sleaze bellwether shares the morning after goods
S.05 E.84Craig Jenkins
The New York Magazine music writer with a dynamic megamix for both the lost and emerging heroes
The playlist is a 69 song, 4 hour and 20 minute affair (!) and lest you think this is a camera roll dump of tunes from his faves list, I watched Jenkins tweak this more than a few times. The mix has some major themes: The lost ones (Belafonte, Melvin Van Peebles, Mac Miller, Linkin Park, Alice Coltrane, Sakamoto, Tina Turner, De La Soul, Doom as Geedorah), some fin de siècle fizzy electronics (Goldie, Ultramarine, the punchy “Tesko Suicide” from Sneaker Pimps, Stereolab, Mu-ziq x Aphex), and the contemporary up and comers (Liv.e, billy woods, Yachty, Nilüfer Yanya, UMO, Steve Lacy, Arca). - SV4S.05 E.85Yu Su
The Vancouver-based musician and DJ in reset mode, somewhere in the world.
S.05 E.86 Dante Ross
The legendary A&R and producer shares an extended New York-centric Sunday afternoon playlist
S.05 E.87Derrick Gee
When I first dipped a toe into frigid TikTok, Derrick was one of the first people I saw and followed. He’s sort of like the affable record store person you can’t tell is flirting with you, but actually just loves music. -SV4
“I went to high school in NYC circa 1990, so being a herb was a serious offense. So like a herb, I took this part of the assignment way too seriously. What’s the herbiest mix possible? In the end, my final conclusion was half Beatles - half Drake, but I don’t quite have the skills to pull that one off. The operative phrase of this whole series is “like a herb” so a true herb mix by definition can not be good but the herb knows where the action is, they just don’t know how to get down, a mix that gets close to the herb gets you dangerously close to something good.”
-AB
S.05 E.88Abe Baumeister
A deep exploration of Herb by the Outlier clothing brand founder.
S.05 E.89Josh Kline
The prophetic artist working "Sunday night, channeling that clandestine, turbulent story from another time."
S.05 E.90Ari Marcopoulos
“When I grew up, in the early evening we would watch the highlights of the football games played that day. My favorite team was Ajax Amsterdam. It was also a day to go to church for some families. Next door to us lived a strict Protestant family. The kids weren’t allowed outside on Sunday. We’d see them behind their home’s windows watching us heathens play outside. This is dedicated to them.” - AM
S.05 E.91Geoff Rickly
Any city you’ve been in long enough offers a series of other lives, previous and potential, that roar and lap at your heels. It's not so much that it hurts to face these, it's that it shocks you how near all of these are, both geographically and emotionally. My former home of Greenpoint, like Rickly’s, is a grid of meaningful places and feelings and the long walks taken on the industrial borders were probably where Rickly often scored. The city changes and you change, not always in that order. - SV4
S.05 E.92Margeaux Labat